In 1991, Suzanne Collins began her professional career writing for children's television. She worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the Rankin/Bass Christmas special, Santa, Baby! with her friend, Peter Bakalian, which was nominated for a WGA Award in Animation. Most recently she was the Head Writer for Scholastic Entertainment's Clifford's Puppy Days,and a freelancer on Wow! Wow! Wubbzy! While working on a Kids WB show called Generation O! she met children's author and illustrator James Proimos, who talked her into giving children's books a try.
Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you're much more likely to fall down a manhole than a rabbit hole and, if you do, you're not going to find a tea party. What you might find...? Well, that's the story of Gregor the Overlander, the first book in her five-part fantasy/ • war series, The Underland Chronicles,which became a New York Times bestseller. It has been sold into 21 foreign territories.
Her next series, The Hunger Games Trilogy, is an international bestseller. The Hunger Games has spent over six years to date on The New York Times bestseller list since publication in September 2008, and has also appeared consistently on USA Today and Publishers Weekly bestseller lists. It has been sold into 56 territories in 51 languages. In 2010 Collins was named to the TIME 100 list as well as the Entertainment Weekly Entertainers of the Year list.
Lionsgate released a film adaptation of THE HUNGER GAMES on March 23, 2012, directed by Gary Ross who also shared screenplay credit with Suzanne and Billy Ray. It broke multiple box office records and went on to become the 14th highest-grossing North American release of all time on its way to generating nearly $700 million at the worldwide box office. Lionsgate released the second installment THE HUNGER GAMES: CATCHING FIRE worldwide on November 22, 2013, directed by Francis Lawrence from a screenplay by Simon Beaufoy and Michael DeBruyn and bringing back stars Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Willow Shields, Paula Malcomson, Donald Sutherland, Stanley Tucci and Lenny Kravitz along with new cast members Philip Seymour Hoffman, Sam Claflin, Jena Malone and Jeffrey Wright. It was the highest-grossing domestic box office release of 2013 and the 10th highest-grossing domestic release of all time. Lionsgate will release THE HUNGER GAMES: MOCKINGJAY - PART 1 on November 21, 2014 and THE HUNGER GAMES: MOCKINGJAY - PART 2 on November 20, 2015, also directed by Lawrence. All four films are being produced by Nina Jacobson of Color Force and Jon Kilik.
In September 2013, Suzanne released a critically acclaimed autobiographical picture book, YEAR OF THE JUNGLE, illustrated by James Proimos. It deals with the year she was six and her father was deployed to Viet Nam. It has been sold into 12 territories in 11 languages. Her first picture book, WHEN CHARLIE MCBUTTON LOST POWER, about a boy obsessed with computer games, was illustrated by Mike Lester and came out in 2005. It has been sold into 4 foreign territories.
Her books have sold over 100 million copies worldwide.
Suzanne Collin's Awards:
The Hunger Games
#1 NEW YORK TIMES BESTSELLER
#1 USA TODAY BESTSELLER
WALL STREET JOURNAL BESTSELLER
PUBLISHERS WEEKLY BESTSELLER
PUBLISHERS WEEKLY'S BEST BOOKS OF 2008:
CHILDREN'S FICTION
NEW YORK TIMES NOTABLE CHILDREN'S BOOK OF 2008
AN AMERICAN LIBRARY ASSOCIATION
TOP TEN BEST BOOKS FOR YOUNG ADULTS SELECTION
AN ALA NOTABLE CHILDREN'S BOOK
2009 ALA AMELIA BLOOMER PROJECT LIST
#1 ON WINTER '08/ • '09 CHILDREN'S INDIE NEXT LIST
INDIES CHOICE--BEST INDIE YOUNG ADULT BUZZ BOOK HONOR
2008 CYBIL AWARD--FANTASY & SCIENCE FICTION
2009 CHILDREN'S CHOICE BOOK AWARD
TEEN CHOICE BOOK OF THE YEAR FINALIST
YALSA'S TEENS' TOP TEN, 2009
NYPL STUFF FOR THE TEEN AGE LIST, 2009
CCBC CHOICES 2009
A NEW YORK TIMES EDITORS' CHOICE
A KIRKUS BEST BOOK OF 2008
A HORN BOOK FANFARE
SCHOOL LIBRARY JOURNAL BEST BOOKS Of 2008
A BOOKLIST EDITORS' CHOICE, 2008
LA TIMES FAVORITE CHILDREN'S BOOKS, 2008
BARNES & NOBLE BEST BOOKS OF 2008
FOR TEENS AND KIDS
BORDERS BEST BOOKS OF 2008: TEENS
AMAZON BEST BOOKS OF 2008:
TOP 100 EDITORS' PICK
TOP 10 BOOKS: TEENS
Catching Fire
#1 USA TODAY BESTSELLER
#1 NEW YORK TIMES BESTSELLER
#1 WALL STREET JOURNAL BESTSELLER
#1 PUBLISHERS WEEKLY BESTSELLER
A NEW YORK TIMES EDITORS' CHOICE
TIME MAGAZINE
TOP 10 FICTION BOOKS OF 2009
PUBLISHERS WEEKLY'S BEST BOOKS OF 2009:
CHILDREN'S FICTION
A PEOPLE MAGAZINE (TOP 10) BEST BOOK OF 2009
A LOS ANGELES TIMES BEST CHILDREN'S BOOK OF 2009
A BOOKLIST EDITORS' CHOICE, 2009
A KIRKUS BEST BOOK OF 2009
AN AMERICAN LIBRARY ASSOCIATION
BEST BOOKS FOR YOUNG ADULTS SELECTION
#1 YALSA'S TEENS' TOP TEN, 2010
NYPL STUFF FOR THE TEEN AGE LIST, 2010
2010 CHILDREN'S CHOICE BOOK AWARD
TEEN CHOICE BOOK OF THE YEAR WINNER
AUTHOR OF THE YEAR NOMINEE
2010 INDIES CHOICE AWARD WINNER--YOUNG ADULT
TOP 10 ON THE FALL 2009 CHILDREN'S INDIE NEXT LIST
BARNES & NOBLE BEST TEEN BOOKS OF 2009
BORDERS BEST BOOKS OF 2009: TEENS
AMAZON BEST BOOKS OF 2009:
TOP 100 EDITORS' PICK
TOP 10 BOOKS: TEENS
Mockingjay
#1 USA TODAY BESTSELLER
#1 NEW YORK TIMES BESTSELLING SERIES
#1 WALL STREET JOURNAL BESTSELLER
#1 PUBLISHERS WEEKLY BESTSELLING SERIES
NEW YORK TIMES NOTABLE CHILDREN'S BOOK OF 2010
PUBLISHERS WEEKLY'S BEST BOOKS OF 2010:
CHILDREN'S FICTION
A BOOKLIST EDITORS' CHOICE, 2010
A KIRKUS BEST BOOK OF 2010
NPR BEST BOOKS OF 2010
A NEW YORK TIMES EDITORS' CHOICE
A CHRISTIAN SCIENCE MONITOR'S BEST CHILDREN'S BOOKS OF 2010
AN IRA YOUNG ADULTS' CHOICES BOOK FOR 2011
YALSA'S TEENS' TOP TEN, 2011
2011 CHILDREN'S CHOICE BOOK AWARD
TEEN CHOICE BOOK OF THE YEAR NOMINEE
AUTHOR OF THE YEAR NOMINEE
CCBC CHOICES 2011
2011 LOCUS AWARD FINALIST
2010 NEBULA AWARD
ANDRE NORTON AWARD FOR YA SCIENCE FICTION AND FANTASY NOMINEE
BARNES & NOBLE BEST TEEN BOOKS OF 2010
AMAZON BEST BOOKS OF 2010:
#3 ON CUSTOMER FAVORITES LIST
Gregor the Overlander
A NEW YORK TIMES BESTSELLING SERIES
USA TODAY BESTSELLER
A BOOK SENSE BESTSELLING SERIES
KIRKUS REVIEWS EDITOR'S CHOICE, 2003
NY PUBLIC LIBRARY 100 TITLES FOR READING AND SHARING
A BOOK SENSE CHILDREN'S PICK
A CCBC BOOK OF THE WEEK
2004 NAIBA CHILDREN'S NOVEL AWARD
2006 ALSC NOTABLE CHILDREN'S RECORDING (audio version)
Read by Paul Boehmer
Gregor and the Prophecy of Bane
A NEW YORK TIMES BESTSELLING SERIES
A BOOK SENSE BESTSELLING SERIES
A BOOK SENSE CHILDREN'S PICK
2005 CONNECTICUT BOOK AWARD FINALIST--CHILDREN'S LITERATURE
Gregor and the Curse of the Warmbloods
A NEW YORK TIMES BESTSELLING SERIES
A BOOK SENSE BESTSELLING SERIES
A BOOK SENSE TOP TEN CHILDREN'S PICK
OPPENHEIM TOY PORTFOLIO GOLD AWARD WINNER 2006
Gregor and the Marks of Secret
A NEW YORK TIMES BESTSELLING SERIES
A BOOK SENSE BESTSELLING SERIES
Gregor and the Code of Claw
A NEW YORK TIMES BESTSELLING SERIES
A BOOK SENSE BESTSELLING SERIES
USA TODAY BESTSELLER
A BOOK SENSE CHILDREN'S PICK
CCBC CHOICES 2008
2009 ALSC NOTABLE CHILDREN'S RECORDING (audio version)
Read by Paul Boehmer
Year of the Jungle
A PUBLISHERS WEEKLY BEST BOOK OF 2013:
PICTURE BOOK
65TH ANNUAL CHRISTOPHER AWARD FOR BOOKS FOR YOUNG PEOPLE
2014 CAPITOL CHOICES NOTEWORTHY TITLES FOR CHILDREN AND TEENS
A BOOKLIST EDITORS' CHOICE, 2013
2014 CHARLOTTE ZOLOTOW AWARD /• HONOR BOOK
A NEW YORK TIMES EDITORS' CHOICE
A BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS BLUE RIBBON BOOK FOR 2013
A 2014 GRYPHON HONOR BOOK
CCBC CHOICES 2014
BOOK LINKS LASTING CONNECTION FOR 2013
HUFFINGTON POST BEST PICTURE BOOKS OF 2013
MOST POWERFUL--HONORABLE MENTION
THE GUARDIAN/• THE OBSERVER BEST PICTURE BOOKS FOR CHILDREN, 2013
A PARENTS' CHOICE SILVER HONOR AWARD RECIPIENT 2013
OPPENHEIM TOY PORTFOLIO PLATINUM AWARD WINNER 2013
Book Reviews
The Hunger Games
What happens if we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all our sentences will end with the same rise as questions. When Katniss is sent to stylists to be made more telegenic before she competes, she stands naked in front of them, strangely unembarrassed. They're so unlike people that I'm no more self-conscious than if a trio of oddly colored birds were pecking around my feet, she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn't just the contestants who risk the loss of their humanity. It is all who watch."
--Publishers Weekly, Megan Whalen Turner, STARRED REVIEW
"...brilliantly plotted and perfectly paced...a futuristic novel every bit as good and as allegorically rich as Scott Westerfeld's 'Uglies' books."
--The New York Times, John Green
...enthralling, imaginative and creepy...
--Los Angeles Times
"Collins's characters are completely realistic and sympathetic as they form alliances and friendships in the face of overwhelming odds; the plot is tense, dramatic, and engrossing. This book will definitely resonate with the generation raised on reality shows like "Survivor" and "American Gladiator."
--School Library Journal, STARRED REVIEW
"[A] plot-driven blend of suspense, science fiction, and romance."
--USA Today
"The plot is front and center here—the twists and turns are addictive, particularly when the romantic subplot ups the ante—yet the Capitol's oppression and exploitation of the districts always simmers just below the surface, waiting to be more fully explored in future volumes. Collins has written a compulsively readable blend of science fiction, survival story, unlikely romance, and social commentary."
--Horn Book, STARRED REVIEW
"Populated by three dimensional characters, this is a superb tale of physical adventure, political suspense, and romance."
--Booklist, STARRED REVIEW
"[A] stylish postmodern 'Lost' in direct collision with 'Lord of the Flies.'"
--The Wall Street Journal, Katie Roiphe
"Themes of government control, "big brother," and personal independence are explored amidst a thrilling adventure that will appeal to science fiction, survival, and adventure readers. The suspense of this powerful novel will keep the reader glued to the page long after bedtime."
--VOYA, Deborah L. Dubois
"Impressive world-building, breathtaking action and clear philosophical concerns make this volume, the beginning of a planned trilogy, as good as The Giver and more exciting."
--Kirkus
Catching Fire
"Collins has done that rare thing. She has written a sequel that improves upon the first book."
--The New York Times, Gabrielle Zevin
"Again, Collins' crystalline, unadorned prose provides an open window to perfect pacing and electrifying world-building, but what's even more remarkable is that aside from being tremendously action-packed sf thrillers, these books are also brimming with potent themes of morality, obedience, sacrifice, redemption, love, law, and, above all, survival. Honestly, this book only needs to be good enough to satisfy its legions of fans. Fortunately, it's great. And if you were dying to find out what happens after the last book, get ready for pure torture awaiting the next."
--Booklist, STARRED REVIEW
...doesn't disappoint when it segues into the pulse-pounding action readers have come to expect. Characters from the previous volume reappear to good effect: Katniss's stylist, Cinna, proves he's about more than fashion; Haymitch becomes more dimensional. But the star remains Katniss, whose bravery, honesty and wry cynicism carry the narrative...Collins has also created an exquisitely tense romantic triangle for her heroine...by book's end (and it's a cliffhanger), readers will be picking sides—Peeta or Gale?
--Publishers Weekly, STARRED REVIEW
"Stellar, imaginative writing."
--Los Angeles Times
"Beyond the expert world building, the acute social commentary and the large cast of fully realized characters, there's action, intrigue, romance and some amount of hope in a story readers will find completely engrossing. Collins weaves in enough background for this novel to stand alone, but it will be a far richer experience for those who have read the first installment and come to love Katniss, Peeta, Haymitch and the rest of the desperate residents of this dystopia. A humdinger of a cliffhanger will leave readers clamoring for volume three."
--Kirkus Reviews, STARRED REVIEW
"...this sequel has enough action to please Hunger Games fans and leaves enough questions tantalizingly unanswered for readers to be desperate for the next installment."
--School Library Journal, STARRED REVIEW
"Collins ratchets up the tension in the second book in the Hunger Games trilogy. With a host of well-drawn new secondary characters and more lives on the line, this will keep readers of all ages up long past their bedtimes."
--Romantic Times Book Reviews, ****1/2 STARS
"Collins has once again delivered a page-turning blend of plot and character with an inventive setting and provocative themes."
--The Horn Book Magazine
Mocking Jay
"At its best the trilogy channels the political passion of 1984, the memorable violence of A Clockwork Orange, the imaginative ambience of The Chronicles of Narnia and the detailed inventiveness of Harry Potter. The specifics of the dystopian universe, and the fabulous pacing of the complicated plot, give the books their strange, dark charisma."
--The New York Times, Katie Roiphe
"Collins does several things brilliantly, not the least of which is to provide heart-stopping chapter endings that turn events on their heads and then twist them once more. But more ambitious is the way she brings readers to questions and conclusions about war throughout the story. There's nothing didactic here, and sometimes the rush of events even obscures what message there is. Yet readers will instinctively understand what Katniss knows in her soul, that war mixes all the slogans and justifications, the deceptions and plans, the causes and ideals into an unsavory stew whose taste brings madness. That there is still a human spirit that yearns for good is the book's primrose of hope."
--Booklist, STARRED REVIEW
"This dystopic-fantasy series, which began in 2008, has had such tremendous crossover appeal that teens and parents may discover themselves vying for -- and talking about -- the family copy of "Mockingjay." And there's much to talk about because this powerful novel pierces cheery complacency like a Katniss-launched arrow. Look skeptically at computer and television images, it suggests, be aware of spin, gaze upon the young faces of the world's soldiers. Children forced to kill children? It's not just in the pages of a novel."
--The Washington Post
"The indelible conclusion to Suzanne Collins' Hunger Games trilogy proves once more that the greatest fantasy novels hold an incandescent mirror up to reality."
--Parade, Parade Picks
"But being the Mockingjay comes with a price as Katniss must come to terms with how much of her own humanity and sanity she can willingly sacrifice for the cause, her friends, and her family. Collins is absolutely ruthless in her depictions of war in all its cruelty, violence, and loss, leaving readers, in turn, repulsed, shocked, grieving and, finally, hopeful for the characters they've grown to empathize with and love. Mockingjay is a fitting end to the series that began with The Hunger Games (2008) and Catching Fire (2009) and will have the same lasting resonance as William Golding's Lord of the Flies and Stephen King's The Stand."
--School Library Journal
"The final installment, the grimmest yet, is a riveting meditation on the costs of war...Clear your schedule before you start: This is a powerful, emotionally exhausting final volume."
--People Magazine,4 OUT OF 4 STARS
"This concluding volume in Collins's Hunger Games trilogy accomplishes a rare feat, the last installment being the best yet, a beautifully orchestrated and intelligent novel that succeeds on every level... In short, there's something here for nearly every reader, all of it completely engrossing."
--Publishers Weekly, STARRED REVIEW
"Fans will be happy to hear that Mockingjay is every bit as complex and imaginative as Hunger Games and Catching Fire. Collins has kicked the brutal violence up a notch in an edge-of-your-seat plot that follows Katniss as she tries to fulfill her role, protect her mother and sister and, in the end, finally choose between her two greatest loves. B+."
--Entertainment Weekly
Mockingjay is without question the most brutal of the trilogy. Nobody emerges unscathed - very bad things happen to everyone from fan favorites down to characters so minor a reader has to pause and think, Now, who was that again? before recoiling in horror at their fate. Collins doesn't take war lightly - her characters debate the morality involved in tactics used to try to overthrow the rotting, immoral government, and they pay a high cost for those tactics. It is also an entirely gripping read. In Katniss, Collins has crafted a heroine so fierce and tenacious that this reader will follow her anywhere."
--Christian Science Monitor
"Much of the action takes place on a battlefield akin to Iraq — where innocent civilians are murdered to further a cause and each side resorts to unsavory tactics that could lead to a terrorist label. More maudlin than the first two books in the series, "Mockingjay" is also the most violent and bloody and, based on the actions and statements of its characters, its most overtly antiwar — though not so much that it distracts from a series conclusion that is nearly as shocking, and certainly every bit as original and thought provoking, as "The Hunger Games." Wow."
--Los Angeles Times
"Suspenseful... Collins' fans, grown-ups included, will race to the end."
--USA Today
"Throughout the trilogy, Collins has asked readers to consider heavy questions. What level of violence is justified to achieve needed change? How much integrity can one compromise for a just end? To what extent does responsibility to others demand sacrifice of self? How much control does anyone have over the construction of self? Katniss is the ideal vehicle for this dialogue, her present-tense narration constantly putting her own motivations and even identity under scrutiny.It's not giving away anything to reveal that Katniss will be tested sorely, that allegiances will shift, that heart-thumping scenes of combat will yield to anguished reflection, that she and readers will find themselves always wondering just whom to trust, that she and readers will lose friends they love. In the final analysis, this is exactly the book its fans have been hoping for. It will grab them and not let go, and if it leaves them with questions, well, then, it's probably exactly the book Collins was hoping for, too."
--Kirkus, STARRED REVIEW
Gregor the Overlander
Gregor's luminous, supremely absorbing quest takes place in a strange underground land of giant cockroaches, rideable bats, and violet-eyed humans... Creature depictions are soulful and the plot is riveting... Wonderful.
--Kirkus reviews, STARRED REVIEW
Collins does a grand job of world-building, with a fine economy of words…Unlike Gregor, who cannot wait to leave, readers will likely find [the Underland] to be a fantastically engaging place.
--Publishers Weekly, STARRED REVIEW
[An} exceptional debut novel, a well-written, fast-moving, action-packed fantasy... [S]ure to be a solid hit with young fantasy fans.
--Booklist, STARRED REVIEW
"A refreshing combination of sensitive characters, innovative devices, and an unusual setting make this an appealing purchase for younger fantasy fans."
--VOYA
"This is an engrossing adventure for fantasy fans and for those new to the genre."
--School Library Journal
"The fast-paced, detailed narrative features vivid battle scenes (complete with gore), dangerous alliances, some frighteningly close calls, and the sobering death of comrades-in-arms. Cliffhanger chapter endings propel the story forward to its inevitable but nevertheless immensely satisfying conclusion, which, happily for readers, hints at more heart-pounding journeys to the center of the earth."."
--The Horn Book Magazine
Gregor the Overlander was chosen by the wonderful librarian/author Nancy Pearl for the NPR piece Adventures to Read All Through the Summer. You can click on the NPR link and listen to the interview.
Gregor and the Prophecy of Bane
Collins crafts another edge-of-the-seat quest... Gregor's resolution of the prophecy will surprise and delight readers--who will be equally delighted to see a new prophecy in Gregor's luggage when he returns home. Yessss!
--Kirkus Reviews
"...fans will not be disappointed with this exciting, action-packed sequel, whose ending suggests more adventures to come."
--Booklist
As in the first book, the questers face adventure, danger, death, loss, and change on their journey, and the surprising conclusion leaves room for another sequel. Interpersonal conflict and old enmities among the well-developed characters add depth, and the hazards and beauties of the subterranean Underland are fully realized and clearly presented. An urgent mood and a sense of impending danger are conveyed. This is a strong choice for fantasy fans, including reluctant readers, even if they're not familiar with Gregor's first adventure.
--School Library Journal
"Along with many Underlanders [rats notwithstanding], Gregor's fans will cheer the promise of future visits."
--The Horn Book Magazine
"Danger abounds, calling for courage and ingenuity. Gregor consistently makes the right choices and triumphs. Fast-paced adventure and endearing characters make this book an excellent selection for younger fantasy readers."
--VOYA
Gregor and the Curse of the Warmbloods
This immensely readable installment won't disappoint fans of the first two books... Character development, plotting, pacing, and description all shine; suspenseful chapter endings propel the story forward to its shocking and sobering conclusion.
--The Horn Book Magazine
"Collins maintains the momentum, charm, and vivid settings of the original title. The characterizations continue to be complex with each new book, revealing new sides to familiar individuals. Fans of this inventive series and new readers alike will be instantly caught up in the action and will look forward to future installments."
--School Library Journal
"The strong, likeable characters, easy reading level, and nonstop action make this series attractive to even reluctant readers."
--VOYA
"Collins keeps the plot moving at warp speed and includes just enough background to bring readers up to speed on the multitude of characters and the political rivalries that unite and divide them. This offering takes on an even darker tone than the earlier ones, delving into meaty questions of territorial expansion and its justification. Although no further prophecy is unveiled at the end to explicitly promise another sequel, readers will surely be hoping for one."
--Kirkus Reviews
"The addition of the mother adds a fresh dynamic to the fast-paced, suspenseful story. Fans of the series will enjoy this latest, skillfully told adventure."
--Booklist
Gregor and the Marks of Secret
"In this penultimate volume in "The Underland Chronicles," Collins begins to gather herself for the grand finale...The cliffhanger ending will leave readers gasping as Gregor goes chasing another prophecy, the direst yet.)."
--Kirkus Reviews, STARRED REVIEW
Collins keeps the tension and the stakes high; vivid description, expert pacing, and subtle character development all enhance this gripping fantasy adventure. At the conclusion, we leave Gregor heading into what promises to be an interspecies conflict of epic proportions. "Who would he be...if he survived?" Readers will have to wait for the fifth (and final?) book to find out. K.F.
--The Horn Book Magazine
"The breathless pace, intense drama, and extraordinary challenges will leave fans clamoring for the conclusion of this fine series."
--School Library Journal
"Gregor is getting into more trouble: for generations rats have run the mice out of their lands; but now the mice are vanishing completely, and Gregor must join the queen Luxa on a fact-finding mission to discovery why. For once no prophecy seems involved - until he discovers a truth which will lead him to the final prophecy he must fulfill. More sizzling adventure evolves during his quest for mice."
--Midwest Book Review
"Fans will be panting for this next installment that follows Gregor and the Curse of the Warm Bloods."
--VOYA
Gregor and the Code of Claw
"Perhaps Collins's greatest achievement in these tales is the effortless introduction of weighty geopolitical ethics into rip-roaring adventure. It seems as elusive in the Underland as up above, but Gregor and his companions, including the unforgettable rat Ripred, may yet find a way. The resolution is bittersweet but faintly hopeful—a fitting end for an unflinchingly gutsy series whose deftly drawn characters have always lived dangerously."
--Kirkus Reviews
"Collins delivers more of what's made this series so compelling: vivid action scenes, detailed military machinations, and nuanced character development. The plot moves swiftly but with deliberation, reflecting the Regalian leaders' strategic chess-game approach to the conflict. In the end, though the unimaginable doesn't happen, no one is without physical and emotional scars. Readers, too, will be battle-weary but buoyed by Collins's ultimate message of hope. As the Underlanders would say: fly you high, Gregor."
--The Horn Book Magazine
"Consistent quality has been a hallmark of this series. Although the story line has gradually become darker, Gregor maintains his endearing qualities as a reluctant hero. His love for his family and his compassion for his friends never flag. The world of Regalia, located below the streets of New York City, presents a magical realm of possibilities for young readers of this excellent acquisition for any library."
--VOYA
"A realistic conclusion, including the loss of old friends and a message about the importance of peace and trust, leaves readers with a sense of optimism about the future of the Underland. Friends and foes from the previous volumes reappear here, and Gregor's self-doubts and changing relationship with Luxa add to his depth as a protagonist. Fans of the series will find much to appreciate, from an enigmatic prophecy to the complex rat Ripred, and they'll be drawn in by Collins's tight pacing and sense of urgency."
--School Library Journal
"Another outstanding, riveting Gregor fantasy."
--Midwest Book Review
"The book is fast-paced, easy to read and contains plenty of battle scene and gore for young readers. But it also deals with a boy suddenly forced to make major decisions and face the true and terrible realism of war. The so-called "traitor rat," Ripred reappears and we learn the story behind his decision to join the forces opposed to The Bane. I find Ripred to be one of the most fascinating characters in the book.
Armchair Interviews says: Fans of the earlier four books will find plenty of enjoy with this one.."
--Armchair Interviews
When Charlie McButton Lost Power
"A clever, humorous story in rhyme. Charlie's techno-driven world comes to a crashing halt when a thunderstorm causes a power outage. His mother advises, "You'll have to find something without plugs to play./Read a book!/Clean your room!/Sing a song!/Model clay!" Uninspired, Charlie finally remembers an old handheld video game, but the battery is missing. Desperate, he steals one from his sister's talking doll and ends up in the time-out chair. Feeling remorseful when the little girl starts crying, he seeks her out and the two have a grand time playing games and pretending to be dragons and wizards. When the power returns, Charlie is ready to retreat to his "handsets and bots" but decides that it might be fun to spend some time with his sister as well. The hilarious cartoon illustrations are bold and appealing and depict the siblings' many emotions with exaggerated clarity. While the mother appears only as a hand patting her panicked son's head, the family dog is usually present, patiently enduring a hose-down from little Isabel Jane or angrily reproving Charlie for hurting her feelings. Pair this tale with Glenn McCoy's Penny Lee and Her TV (Hyperion, 2002) for a fun storytime during 'TV Turnoff Week.'"
--School Library Journal
"Charlie loves computer games so much, he never plays with anything else - so when the power goes out, he's really in the dark. His desperate search for batteries involves his sister's toys and some nasty behavior before he settles down to realize what's truly important in his life. Deftly written by Suzanne Collins and nicely illustrated by Mike Lester, When Charlie McButton Lost Power is refreshingly original and moving!"
--Midwest Book Review
"A computer-game addict temporarily turns into a raving lunatic when a power failure shuts down his PC, and Lester is well up to the task of portraying his breakdown. He sends red-haired Charlie, pop-eyed features wildly distorted with panic, dashing after an old gameboy, then brutalizing his little sister Isabel Jane's talking doll for a triple-A battery. When this behavior instantly relegates him to the Time-Out Chair, Charlie yells (captured in the art by a gross-looking spray of red and yellow) at Isabel Jane, which sends her away in tears—but then also causes him to reflect remorsefully on how much he actually enjoys her company. Once off the chair, he seeks her out for a game of hide-and-seek. Collins tells the tale in loosely written verse and leaves Charlie, as the house explodes with restored light, thinking that he might go play with his sibling some more before plugging in again. Unlikely to work as behavior modification, but young geeks may take a break from their screens to enjoy the over-the-top art."
--Kirkus Reviews
Year of the Jungle
"In this picture book, Collins sensitively examines the impact of war on the very young, using her own family history as a template. Suzy is the youngest of four children—Proimos draws her with impossibly big, questioning blue eyes and a mass of frizzy red hair—and she is struggling to understand the changes in her family. My dad has to go to something called a war, she explains. It's in a place called Viet Nam. Where is Viet Nam? He will be gone a year. How long is a year? I don't know what anybody's talking about. When Suzy learns that her father is in the jungle, she imagines something akin to the setting of her favorite cartoon (Collins suggests it's George of the Jungle). As the months wear on, though, Suzy begins to piece together the danger her father is in, whether it's through the increasingly unnerving postcards he sends (one reads, Pray for me, in closing) or by catching a snippet of wartime violence on the news. Explosions. Helicopters. Guns. Soldiers lie on the ground. Some of them aren't moving. In four wordless spreads, Proimos makes Suzy's awakening powerfully clear, as the gray jungle she initially pictured (populated by four smiling, brightly colored animals) gives way to a more violent vision, as the animals morph into weapons of war. Just when Suzy's confusion and fear reach an apex: Then suddenly my dad's home. As in Collins's Hunger Games books, the fuzzy relationship between fear and bravery, and the reality of combat versus an imagined (or, in the case of those books, manufactured) version of it is at the forefront of this story. By the final pages, Suzy has come to understand that Some things have changed but some things will always be the same. It's a deceptively simple message of reassurance that readers who may currently be in Suzy's situation can take to heart, whether their loved ones return changed, as hers did, or don't return at all. Ages 4-up."
--Publishers Weekly, STARRED REVIEW
"Suzanne Collins, author of the famously bloody Hunger Games trilogy, has written a picture-book memoir about what life at home is like for a child whose father has gone away to war. Collins's own father went to Vietnam the year she turned 6, and she's said the experience had a profound effect on him. But though post-traumatic stress disorder is often spoken of these days, the more subtle effects of war on the children of men and women serving abroad are less well known. Year of the Jungle is narrated by a little red-haired girl named Sue, whose father reads her poems by Ogden Nash. Her favorite is about a dragon named Custard that keeps crying for a nice safe cage. Sue thinks that while Custard always feels afraid, he is really the bravest of all. And that's what makes him special. When her father leaves for Vietnam, Sue must follow Custard's example. The year goes on and on. Sue waits. She measures the passing of time by the arrival of a turkey, a Christmas tree, shamrocks and colored eggs. There is a postcard with a picture of Saigon, then one with a picture of a Vietnamese fisherman. The children watch their mother, worried she might be going to the jungle, too, but she stays. Sue's initial impression of the jungle is positive. Her favorite cartoon character lives in a jungle, and she thinks she'd like to go to Vietnam to find her father. She will fly there. You can fly anywhere in your dreams. But over the course of the year, the dream begins to darken. The postcards stop coming. Then Sue's father sends her a birthday card when it isn't her birthday, and she begins to realize that the jungle must be a very confusing place for her father to have made such a serious mistake. One day, she watches graphic footage of the war on television, and her mother rushes in to turn off the set. Sue is afraid, but she doesn't have the language to describe her fear. She hides in the closet to cry alone. While Sue is not able to formulate her feelings in words, James Proimos's excellent illustrations capture her confusion. In one image, Sue imagines the landscape of Vietnam as a place with green elephants shooting white blobby monsters from their trunks and yellow goblins rising from coffee cups, while a rhino-shaped helicopter floats overhead. This visual nightmare mirrors a child's skewed perception of war so well that it is clear Sue is going through her own version of hell. At the end of the year, Sue's father returns, tired and thin, his skin the color of pancake syrup. He stares into space. He is here but not here.Some things have changed, Sue reflects, but some things will always be the same. In other words, bad things happen, but life goes on. Year of the Jungle may take place in the late 1960s, but with more than 2.3 million Americans deployed abroad between 2001 and 2012, the mixture of anxiety, excitement, fear, boredom and confusion Sue experiences on the home front will be sadly familiar to many children. For them, Collins's picture book may be a good tool to discuss the complex feelings war brings into a household. Children are sure to ask why Sue's father went away, and why he was different when he returned. Maybe some frank discussions about war, ones that involve more than stories about courageous dragons, will help children better understand what military service entails. Year of the Jungle brings up big questions. Parents will need to provide the answers ."
--The New York Times, Danielle Trussoni
"Suzanne Collins' autobiographical picture book, Year of the Jungle: Memories from the Home Front, seems a sharp departure for the author of The Hunger Games, the best-selling dystopian trilogy. But in a reassuring and deceptively simple way, Jungle, aimed at readers 4 and up, continues Collins' exploration of the effect of war and violence on kids. In Hunger Games, for readers 12 and up, teens are forced to kill or be killed as part of state-sponsored entertainment. In Collins' first fantasy series, the Underland Chronicles, for readers 8 and up, two kids fall into an underground world on the brink of war. Jungle (Scholastic), illustrated by James Proimos,is narrated by Suzy, a frizzy-haired, big-eyed first grader whose dad is sent "to something called a war" in a "place called Viet Nam." Suzy confesses, "I don't know what anybody's talking about." When she hears Vietnam is a jungle, she thinks of a cartoon set in a jungle where elephants and apes pal around. Reality intrudes when Suzy accidentally sees a TV news report from Vietnam with explosions, guns and soldiers on the ground. "Some of them aren't moving," she reports. Her worst fears are conveyed without words, just Proimos' paintings. Suzy's dad returns home, just as Collins' own dad, an Air Force officer, did in 1968. Collins offers no moralizing on war, just a vivid reminder of what it's like to be young and innocent in a world that's not. I can see a lot of kids whose parents are in someplace called Afghanistan — or another confusing place — identifying with Suzy."
--USA Today, Bob Minzesheimer, 3 1/2 OUT OF 4 STARS
"First-grader Suzy's father is in the jungles of Vietnam for a year. Through a tightly controlled child's point of view, readers live the year with little Suzy in the sheltered world her parents have built for her. She understands little at first, imagining romps in the jungle with elephants and apes. Her father sends her postcards every so often with cheery scenes of the tropics. Eventually, the postcards stop coming. She misses her dad, especially when her brother takes over some of her father's duties, like reading the comics or Ogden Nash's poems to her. One day, the wall of protection is broken by the television, with frightening visions of explosions, helicopters, guns and dead soldiers. Her mother whisks her away, too late. Proimos' ink-and-digital art, in his signature cartoon style, adds needed humor to a frankly scary story that honors Suzy's experience and respects those who share it. Occasional full-page wordless spreads allow readers to see into Suzy's mind, beginning with her flying through the jungle and leading up to her post-epiphany anxiety about tanks and helicopters and rifles. With a notable lack of patriotic rhetoric or clichés about bravery and honor, Collins holds firm to her childhood memories, creating a universal story for any child whose life is disrupted by war. Important and necessary. (Picture book. 4-10)."
--Kirkus Reviews, STARRED REVIEW
"Collins mines her own experience to tell a tender, personal story of war seen through a child's eyes. Firstgrader Suzy's father is deployed to Viet Nam. At first, though she misses him, she dreams of the exotic jungle. But as the year goes on, marked by Christmas trees and candy hearts, things get harder. His postcards arrive less and less frequently, while news of the war, and its real dangers, comes more and more often. In the end Suzy's father returns, and while some things are different, some things are the same. Collins' unflinching g first-person account details the fears and disappointments of the situation as a child would experience them. And where more realistic illustrations would feel overwrought and sentimental, Proimos's flat, cartoony drawings, with their heavy lines and blocky shapes, are sturdy and sweet, reflecting a child's clear-eyed innocence. While small, personal details and specific references to Viet Nam fix the story in one child's individual experience, it is these very particularities that establish the kind of indelible and heartfelt resonance to be universally understood. Indeed, children missing parents in all kinds of circumstances will find comfort here."
--Booklist, STARRED REVIEW
"This moving picture book recounts, through the author's eyes as a child, the year of her father's military tour of duty in Viet Nam. The youngest of four kids growing up in a safe, loving family, Suzy is first seen listening to her dad read Ogden Nash's poem about Custard, the dragon who stays brave despite his inner fears. Thus the stage is set for her father's imminent deployment. In this pre-Internet world, his postcards provide tenuous but tangible connections as the first grader tries to comprehend what a jungle is, what her father is doing there, and the passage of time (Has it been a year yet?). But Suzy's concerns increase when Dad confuses her birthday with a sister's, and then the postcards cease. When one abruptly surfaces, Dad signs it, Pray for me. (She does, very hard.) Television news and a near-drowning incident during a swimming lesson feed the child's anxieties. Suddenly, Dad is home, tired and thin… his skin… the color of pancake syrup. Suzy struggles to articulate her harbored fears, which he gently allays, and the two resume reading about Custard, whose stoicism surely resonates more deeply for them. Vibrantly colored cartoon illustrations, outlined in thick black ink, underscore a child's point of view. The characters' enormous eyes and boldly colored pupils provide an arresting motif. Suzy's increasingly haunted imaginings, depicted on spreads of painterly gray tones with bursts of color, stand in stark visual contrast to the narrative text and illustrations framed by generous white space. The author's spot-on memories paired with child-friendly art create a universal exploration of war and its effect on young children, ideally shared with and facilitated by a sensitive adult."
--School Library Journal
"Collins, well known for her middle-school and YA fantasies, offers here a radical change of pace in this picture book story inspired by her own childhood, documenting the year young Suzy's father goes off to the Vietnam War. At first, the prospect doesn't sound all that bad to a rising first-grader with little grasp of time; how long could one year be? Additionally, Dad is headed for the jungle, and some of Suzy's favorite animals live (at least by her reckoning) in the jungle. A year turns out to be a very long time, though, especially when postcards come only sporadically, people's efforts at cheering her up only fill her with heretofore unconsidered anxieties, and Dad's brief missives seem increasingly distanced and confused. Theirs is a happy-ish ending—Dad does come home, although he looks different. Tired and thin and his skin has turned the color of pancake syrup. . . . He stares into space. He is here but not here. Collins' text is simple, but it's rich in the telling details that establish the pervasive fear (So many things are scary now) that spills over into other aspects of the little girl's life—getting a birthday card from Dad that should have gone to her sister, being showered with too much Halloween candy from a sympathetic neighbor, having a terrifying experience of being tossed into a local swimming pool. Proimos' ink-lined, digitally colored illustrations are the pitch-perfect tonal complement to Collins' narration, with the family portrayed as wide-eyed, childlike cartoons that carry on with daily life in crayon-bright hues, while young Suzy's angst-filled imaginings take shape in full-spread, full-bleed gray-tone scenes that twist her innocent favorite animals into recurrent nightmarish motifs and symbols of war. With text and illustrations that invite close reading, this will be a powerful title to share with children well beyond picture-book age. EB"
--The Bulletin of the Center for Children's Books, STARRED REVIEW
"Hunger Games trilogy author Suzanne Collins reverts to her years writing for youth television programming like Scholastic Entertainment's Clifford's Puppy Days for Year of the Jungle, her latest book release for her youngest audience yet. To her, it's the perfect age for kids to begin digesting the complicated concept of war. Suzy, the protagonist in the autobiographical picture book, is based on a 6-year-old Collins and her family during the year her father was deployed in Vietnam. Suzy refers to it as Viet Nam and envisions it as the "jungle," but what appears as a picturesque backdrop in children's cartoons soon morphs into a terrifying place, especially as images of the first televised war creep into her family's home. She begins to understand where her father is, and why exactly he asks her to "Pray for me." For three years, Collins thumbed through postcards and gifts her father gave her while he was overseas. "I felt like there was a story here, but every time I tried to visualize the book, I drew a blank," says Collins. "My fear was, with the subject matter, that the impulse would be to make the art dark and very serious." Seasoned illustrator and close friend James Proimos captures childlike fascination and fear when transforming the jungle from a home for friendly animals to a field for frightening war tools. The book also reassures readers that despite any parent's absence, their love for their children will never leave. "I hope people will read the book, even if they don't have a deployed family member, even if they're not part of a military family," says Collins. "Maybe it will help some kids understand what other kids might be going through if they have a parent deployed overseas."
--The Hollywood Reporter
"YEAR OF THE JUNGLE is a moving, personal account of how it feels to have a parent off at war when you're too young to understand what war means or how long a year is. Little Suzy is confused and misses her dad terribly, delighting in his postcards and praying for his return, and using her imagination to picture him in the jungle. She's also a regular, smiley kid with a cat, two older siblings, and a friend she draws with. Collins deftly balances the fear and freakout of a little girl who learns her dad's in danger with the upbeat, optimistic portrayal of a kid going about the business of being a kid. James Proimos' cartoony illustrations are more reassuring and funny than scary. But there's one imagined war scene (with images of guns, tanks, airplanes, explosions), and he clearly expresses Suzy's fear and worry when her eyes get very big, in one case filling nearly the whole page."
--Common Sense Media, 5 OUT OF 5 STARS
"In the last book of the "Hunger Games" trilogy, author Suzanne Collins offered a bleak vision of war that felt personal. Now we know the source. In "Year of the Jungle" (Scholastic, $17.99, ages 4 and older), Collins writes a child's-eye memoir of life during her father's tour in Vietnam (with illustrations by James Proimos). Soldiers who go to war leave questions for families to live with -- Where are they? What are they experiencing? Are they alive? -- and children are experts at filling in gaps. The little girl hears her father is in the jungle, so she imagines the jungle she knows from cartoons. The illustrations show how clues from the adult world feed her worries. She is a thinker, and when her father arrives home, changed, she finds a way to reach him."
--Newsday
"Year of the Jungle: Memories from the Home Front by Suzanne Collins, illustrated by James Proimos (Scholastic £10.99), is an unusual, brave autobiographical experiment from the author of The Hunger Games. It is about the year Collins's father was deployed to Vietnam when she was a child. It's not sensational but nor does it evade the emotional issues involved. When "worried ladies" (presumably friends of her mother's) tried to reassure her about her father - "your dad will be just fine" - and gave her extra sweets, it had the unsurprising effect of making her suddenly worried. Proimos ingeniously uses jungle pictures to illustrate her emotions. When her father returns: "He is here but not here." Not an uncontroversial read yet not to be missed. (5+)."
-- The Guardian/The Observer
"A masterful picture book excels at revealing a young child's experience during the year her father is away at war. Suzy's dad has to go to a place called Viet Nam. She imagines flying in the jungle—her favorite cartoon is set in a jungle—with her cat, Rascal. She is the youngest in a family determined to shelter her from things she's not ready to understand. But they can't protect her from good intentions. When she tells people her dad's in Viet Nam, they get worried. At Halloween, One of the worried ladies says, ‘Your dad will be just fine,' and gives me way too much extra candy. I start to feel worried, too. Over the year there are many unsettling events. One of her dad's postcards says Pray for me. He sends her a birthday card in winter, but her birthday is in summer. She accidentally sees a news report about Viet Nam. Later I hide in the closet and cry. The postcards stop. Suzy's flights of imagination become darker, tainted by fear she can't express. It's only when her dad returns that she can finally speak that fear, if indirectly, when she tells him, Rascal didn't think you were coming back. Suzanne Collins mines her own childhood memories, transforming them with tremendous skill into a story that is resonant and truthful and timeless and remarkably child-centered. James Proimos's illustrations are stylistically simple but wisely executed, full of sensitivity and power and poignancy, along with occasional moments of whimsy (that cat!)."
-- Cooperative Children's Book Center